Something that makes compositions great is the fact that abstract musical notation can somehow express a personality with its idiosyncrasies.
Editor’s Note: This is crossposted at Cornelius Hunter’s blog, Darwin’s God. The much maligned Don McLeroy has a column in today’s Bryan-College Station Eagle. Recall that McLeroy has been accused of a host of nefarious deeds, including recklessly disregarding the advice of education experts, causing the Texas State Board of Education to be “extremely dysfunctional,” fueling endless culture wars, and putting ideology and partisanship ahead of the schoolchildren of Texas. So what does McLeroy have to say for himself? Well he starts right off with the ludicrous idea of teaching only science in science class. I can now see why everyone was so upset. McLeroy writes that there is no place for any ideology, religious or otherwise in science class. Read More ›
Editor’s Note: This is crossposted at Professor Scot McKnight’s Beliefnet blog, Jesus Creed. The first post in this series is found here, and the second here. The Origin of Beauty Benjamin Wiker and Jonathan Witt’s masterful book A Meaningful World: How the Arts and Sciences Reveal the Genius of Nature gives the following illustration of how modern scientific reductionists treat nature and the arts: Imagine hearing the following account of one of Wolfgang Amadeus Mozart’s symphonies: ‘We have been able to prove that this particular symphony is actually reducible to a series of notes that happen to be played both at the same time in chords and one after another, creating a string of disturbances in the air caused by Read More ›